The way Tegucigalpa climbs and crowds from the valleys to the peaks -- crooked wooden planks strung with plastic sheeting fluttering in the wind like flags of poverty, the rusted red of tin roofing cutting swaths between foliage, as bunched as Brazil's infamous favelas -- looks entirely improbable.
It's the type of extreme density that makes more sense in a plane-bound metropolis, hardly so here where steep slopes jut so suddenly and sharply, houses affixed precariously to precipices as if secured by tacks, where it looks like The Hulk raged under the land, trying to punch his way out.
But Teguc was just a blip in a long day busing from Estelí, Nicaragua to Siguatepeque, Honduras, a nondescript city where I passed the night on the way to La Ceiba. La Ceiba is a grungy northern port city on the Caribbean coast, where the population is a diverse brown and black, Latino and Garífuna respectively, and panhandlers can pester you in Spanish or English. Ceiba is Honduras' party capital, where beer flows freely and girls six-to-sixty, fit to flab, can bust out the Punta, the traditional ass-physics-defying Garífuna dance. The Garífuna celebration of God's generous endowment of rump. Awaiting me in Ceiba was
La Feria Isidra y Carnaval de la Amistad en La Ceiba, a wildly popular annual festival that hops barrios nightly, culminating tomorrow with the city center Carnaval.
Nightly Ceibeñas and the visitors packing out every hotel stream to the designated barrio, where beer tents and busied aproned women waving skewers and spatulas prod and flip smoking slabs of carne and chorizo on oil-bathed grills line every street, funneling the hordes doing their best to spill as little beer as possible in the storming swirls of humanity swarming and sidestepping their way between any of the various stages scattered across the barrio's intersections. One advancing army -- los rockeros -- hellbent upon seeing someone reproduce amusingly accented Metallica classics. The opposing flow, more agile, avoiding collisions with grace and shimmying hips, gravitates toward thumping basslines, reggae and reggaeton, where smooth-moving masses of dark brown and blacked skinned Ceibeñas groove, sweat glistening, in clothed and standing simulations of sex. I join the white-teed, twisted 59fifty-capped admirers along the edges. Rhythm and booty. My dry eyes alert me I'm not blinking. If I turn around, I can enjoy professional, scantily clad dancers doing 360° revolutions, thrusting their midsections in and out, opposite the movement of their cocked arms. Air sex. Then they're back to back(side)-to-crowd, when preposterously sumptuous posteriors flap faster than Hummingbird's wings.
If there's a good place in the world at this moment to risk contracting HIN1, malaria, or AIDS, it's probably La Ceiba -- for the
feria-driven influx of Central Americans, the Caribbean coast location, and proximity to San Pedro Sula, respectively.
Accordingly. La Ceiba:
almost dying and going to heaven.